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It is not known if the acts will perform their potential Eurovision entries at the grand final, or whether the winner will have their song internally selected at a later stage.

Robyn Gallagher contributed this report from New Zealand. You can follow Robyn on Twitter robynesc. Keep up with the latest Eurovision news and gossip by liking our Facebook page and by following the team on Twitter wiwibloggs.

You shine on stage….. My fav is the group F. Young and fresh ages , they are very versatile and vocally very talented! Something different for Malta!

Good luck to all! The mamas are not in Sweden? I just hope that she will get a song as incredible as her singing skills. She is destined for stardom and it was clear from the start that the DAY she turned 16 she was gonna try to represent Malta.

Oh, and on top of that, she is an amazing singer as well. Destiny all the way!! But I have a feeling that the Maltese and judges want Justine to win.

What ever happens I hope they will send a good song to ESC. My concern is that finding a song in her style without limiting her is a difficult task.

One thing is to be the best vocalist and build a local fanbase between TV viewers week after week. Other very different is to show an especial connection to a song and sell it in 3 minutes for an international audience.

But I hope Malta succeeds. Sorry, I see it as a process. Destiny earned her dues by winning JESC and then providing background vocals last year.

She served Malta, and now Malta should lift her up to the next level in her career. I have nothing against Destiny at all.

She seems lovely but I voted for everyone other than her. There are some really great artists in this competition yet right from the start fans and the media have been acting as if Destiny is the only act there which is really unfair on the other acts.

It would be nice to see a man represent Malta for a change. With an epic ballad I think he could really go places. Destiny, of course. Sorry to disagree with Edd.

The other artists are all very good of course, and they will all have their own time ahead. But really Destiny is almost too good at the moment.

We all know who. We all know why. Give her a proper soul ballad and Malta are looking at back-to-back qualifications for sure. The real issue is the song.

Have they bought it already? Would it be the same regardless of who wins? Robbie Williams Louis Tomlinson Kate Thornton — Caroline Flack The actual average value is less than the 6.

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Cathy Dennis Eg White. Steve Mac Claude Kelly. James Falnnigan Samuel Preston. The Runners The Monarch. Fiona Bevan Ed Sheeran. Per Magnusson David Kreuger.

Rebecca Ferguson Jonny Lattimer. Ray Hedges Nigel Butler. Daily Mirror. Retrieved 23 August BBC News. Retrieved 7 May Radio Times.

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Retrieved 1 June The Telegraph. The Daily Telegraph. Retrieved 26 May Retrieved 4 June London Evening Standard. Whitby Gazette. Archived from the original on 23 August Retrieved 16 December Retrieved 7 April Glad or sad?

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The semi-final had a big-band theme and the final six acts all performed with a live swing band. Destiny is a year-old from the town of Birkirkara.

H — are a five-piece girl group. Aged just 16, Justine is the youngest contestant of the X Factor Malta. Now the year-old is back with more experience under his belt.

Have your say in our poll. Remember — you can vote for as many acts as you like, but you can only vote once, so make it count!

It is not known if the acts will perform their potential Eurovision entries at the grand final, or whether the winner will have their song internally selected at a later stage.

Robyn Gallagher contributed this report from New Zealand. You can follow Robyn on Twitter robynesc. Keep up with the latest Eurovision news and gossip by liking our Facebook page and by following the team on Twitter wiwibloggs.

You shine on stage….. My fav is the group F. Young and fresh ages , they are very versatile and vocally very talented!

Something different for Malta! Good luck to all! The mamas are not in Sweden? I just hope that she will get a song as incredible as her singing skills.

She is destined for stardom and it was clear from the start that the DAY she turned 16 she was gonna try to represent Malta.

Oh, and on top of that, she is an amazing singer as well. Destiny all the way!! But I have a feeling that the Maltese and judges want Justine to win.

What ever happens I hope they will send a good song to ESC. My concern is that finding a song in her style without limiting her is a difficult task. One thing is to be the best vocalist and build a local fanbase between TV viewers week after week.

In series 11, each judge chose a wildcard for another judge; this could be any act who was given a chair at any point in the six-chair challenge.

In all series, apart from series 12, the show's producers decided which judge mentored which category. In the 12th series, the public chose which judge mentored which category via a Twitter vote.

Alongside the more serious acts who are contesting to win the competition or gain enough exposure to secure a future recording contract, The X Factor usually has at least one "novelty act" or "joke act" in the live shows.

For series 9 , judge Gary Barlow reportedly had an issue with the Overs category, which he had been chosen to mentor. A source stated: "Gary doesn't like joke acts and the Overs category is often full of novelty acts.

While mentoring what Barlow called the 'joke category', he showed strong support for self-confessed "pantomime villain" Christopher Maloney right through to the grand final, despite strong criticism from fellow judges Louis Walsh and Tulisa for his cabaret performances.

He wrote: "The fact that the joke contestants made it through to the live shows used to be the most gloriously British part of The X Factor.

We love an underdog It was a vital part of the format. Note: In series 10—11, the Bootcamp round was shortened to only several minutes and was broadcast before the start of the Six-Chair Challenge.

A round of first auditions is held in front of producers months before the show is aired, either by application and appointment, or at "open" auditions that anyone can attend.

These auditions, held at various venues around the UK, attract very large crowds. The auditions themselves are not televised, but shots of crowds waving and "judges' cars" arriving are filmed and later spliced in with the televised auditions shot later in the year.

The production team supply the crowds with "home-made" signs. A selection of the auditions in front of the judges — usually the best, the worst and the most bizarre described by Louis Walsh as "the good, the bad and the ugly" [25] — are broadcast over the first few weeks of the show.

In the first five series, each act entered the audition room and delivered a stand-up unaccompanied performance of their chosen song to the judges.

From series 6—9, the judges' auditions were held in front of a live audience and the acts sang either acapella or over a backing track. If a majority of the judges two in series 1—3, or three from series 4 onwards say "yes" then the act goes through to the next stage, otherwise, they are sent home.

From series 10, the judges' room auditions were brought back; successful acts then later went onto the judges' arena auditions in seasons 10 and Over 50, people auditioned for series 1, around 75, for series 2 [28] and around , for series 3.

The contestants selected at auditions are further refined through a series of performances at "Bootcamp", and then at the "judges' houses" previously "judges' homes" , until a small number eventually progress to the live finals nine in series 1, 12 from series 2 to 6, 16 from series 7—8, 13 in series 9, and back to 12 in series Walsh revealed in October that the houses the contestants visit may not actually belong to the judges, but are sometimes rented for the purpose.

In the early series, this allocation took place after completion of the auditions and prior to Bootcamp, but from series 4, all four judges work together at the Bootcamp stage.

They collectively choose 24 acts six from each category for the next round and only then find out which category they will mentor. Bootcamp has two stages: in the first stage, acts are allocated into groups and must perform a song to the judges in their groups, with each act showcasing a few parts of the song solo.

Those who pass this stage then must sing again on their own in the next stage in front of the judges. A live audience was added to the second stage from series 4 onwards one exception in series 5 saw the live audience in the first stage instead, and another in series 7 saw it being axed altogether due to Cole's and Minogue's absences , and the performances at both stages now take place at Wembley Arena from series 7 onwards the first use of the live audience at the arena was in series 8 the only exceptions since then are series 12 at The Grove Hotel in Watford and series 13 at Alexandria Palace.

Usually in both stages, the judges do not give any feedback to the acts after performing, and only deliberate on which acts to send through after all the performances at each stage are finished.

However, in series 5, 9, 10, 12, 13, and 14, the judges give feedback to the acts in the first stage and immediately decide whom to send through.

They also made the immediate decisions in the second stage in series In series 7, an intermediate stage was used in-between the two stages in which the acts were taught to do a dance routine by the creative director but were not judged on performance.

In series 8 and 9, the judges reviewed the audition tapes of the acts and deliberated on who to send home before their arrival, only revealing their eliminated acts to the contestants just before the first stage.

In series 13, the second stage of Bootcamp was cut down and the judges made the decisions on who to send through to the next stage of the competition.

Bootcamp was cut entirely in series 15 due to timing constraints and instead the judges reviewed the audition tapes and decided who to send through to the next stage of the competition.

In series 4, 6, 8, 11, 12, 13, 14 and 15, the judges found out which category they would be mentoring at the same time that the contestants found out their mentor, but in series 5, 7 and 9 the contestants did not know who their mentor was until they revealed themselves at the house or at Bootcamp in series The judges then disband for the "judges' houses" round, where they reduce their six acts to three for the live shows.

Occasionally between the first and second stages of Bootcamp or prior to judges' houses, judges may look at certain rejected solo artists who they feel have potential but may be better suited in a group, and in an attempt to give them a lifeline, then send these acts into a room to form a number of different groups, each depending on size, height, fashion and chemistry.

Lineup changes may also sometimes occur depending on what the judges feel the group is missing or which members they think work well with others.

In series 10, the format to Bootcamp was changed: the judges find out their categories before Bootcamp starts, and each judge will make decisions on who is performing in the Six-Chair Challenge by eliminating the contestants, this is up to each individual judge.

From Series 11 onwards, the judges do not know their categories before the Bootcamp, so they have to make the decisions together.

After the Bootcamp round, the mentor challenges their contestants through the Six-Chair Challenge. Judges make decisions on who to put through to judges' houses straight after each act has performed, with those getting a yes taking a chair in the final six chairs on stage.

It is up to the mentor to decide, which act they want to take to judges' houses, but once all six spots are full, if the mentor wants to send another act through to the next stage it means they have to replace one of those who were previously given a yes.

This format was very poorly rated by many members of the British public. In series 12, all of Bootcamp aired on-screen.

Series 15 introduced a new feature with a golden X in front of the judging panel. Similar to the Golden Buzzer on Britain's Got Talent , the mentor can press the button once for one of their acts currently performing whom they feel has the most potential.

When this is pressed, the act in question is guaranteed a 'Safe Seat', immunizing them from being swapped out for other acts, and will go straight through to Judges' Houses.

For series 12, the judges' houses round was given a new tweak: the contestants perform for their mentors in the scheduled destinations as usual, but only find out whether or not they are through to the live shows during a live decider in front of a studio audience of friends and family.

Judges' houses returned to its previous format in being entirely pre-recorded at the locations for series The selected finalists either 9, 12, 13 or 16 acts move into shared accommodation to take part in the show.

The house accommodates both contestants and TV production staff [39] and footage from the house is often used in spin-off show The Xtra Factor. In , the finalists stayed at the Corinthia Hotel in London.

The finals consist of a series of two live shows, the first featuring the contestants' performances and the second revealing the results of the public voting, culminating in one or more acts being eliminated.

Celebrity guest performers also feature regularly. These live shows were filmed at Fountain Studios in Wembley , London from series 1 to In series 1—5, both live shows were broadcast on Saturday nights.

In series 6, the results show moved to Sunday nights. In series 1, nine acts were put through to the live shows, increased to 12 in series 2.

In series 7, following the addition of four wildcards, it increased to Then in series 9, it reduced back to three each, but one wildcard was added, meaning there were 13 finalists.

Series 10 reverted to 12 finalists. Series 11 initially did the same, but the addition of four wildcards in the live shows brought it back up to 16 finalists; but with the wildcards chosen by a different judge instead of their category's mentor.

Series 12 used the same format as series 9, in which each category had three acts before one wildcard was added. For series 13, it returned to just 12 finalists, with no wildcard twist like in series 10 , although wildcard acts in each category were selected prior to judges' houses, each judge picking for another judge's category.

Series 14 also used the wildcard premise as series 7 and 11, but added a twist in which the public voted for one act in each category to progress to the live shows.

Series 15 returned to the judges picking four acts each with no wildcards. The show is primarily concerned with identifying a potential pop star or star group, and singing talent, appearance, personality, stage presence and dance routines are all important elements of the contestants' performances.

In the initial live shows, each act performs once in the first show in front of a studio audience and the judges, usually singing over a pre-recorded backing track.

Dancers are also commonly featured. Acts occasionally accompany themselves on guitar or piano. In the first two series, acts usually chose a cover of a pop standard or contemporary hit.

From the third series, each live show has had a different theme; each contestant's song is chosen according to the theme. A celebrity guest connected to the theme is often invited onto the show, and clips are shown of the guest conversing with the contestants at rehearsal.

For series 13, a jukebox theme selection was introduced; at the end of each results show, a jukebox is utilised and then spun around to find out the next week's theme from a selection of assorted themes.

After each act has performed, the judges comment on their performance. Heated disagreements, usually involving judges defending their contestants against criticism, are a regular feature of the show.

Once all the acts have appeared, the phone lines open and the viewing public vote on which act they want to keep. Once the number of contestants has been reduced to four series 1 and 3 , five series 2, 4, 5, 6, 8, 9, 10 and 11 or seven series 7 , the format changes.

Each act performs twice in the first show, with the public vote opening after the first performance. This continues until only two series 1 and 3 , three series 2, 4, 5, 6, 8, 9, 10 and 11 or four series 7 acts remain.

These acts go on to appear in the grand final which decides the overall winner by public vote. In past series some of the more memorable failed auditionees from the early rounds have also returned for a special appearance in the final.

From its inception up to series 7, the final took place in the same studio as the live shows. However, from series 8 onwards, due to the success of the arena auditions, the final now takes place at Wembley Arena , accommodating a larger stage and a much larger audience in series 9, however, the final took place at Manchester Central as Wembley Arena was unavailable.

Series 6 saw a change to the live show format: since then, the live shows on Saturdays show just the contestants' performances, and Sunday's results shows reveal the results for the contestants, giving viewers a much longer time span to vote.

Series 9, 11 and most of series 13 completely changed the voting format, where lines now open for viewers to vote at the start of each show, and then close during the results show.

For series 14, the format of the live shows was revised significantly: the finalists are divided into two groups, where the contestants in each group compete against each other on Saturday or Sunday to win that night's show.

The contestants with the highest votes for that night is also announced and the two acts who won their respective public votes will then sing against each other in a new element of the show called the prize fight.

The winner of the prize fight will win a special weekly prize. The voting window was also shortened, viewers only have a few minutes to vote for their favourite acts after all the contestants on the night have performed.

Before the results are announced, there are live or pre-recorded performances from one or more invited celebrities, often with performers connected to the week's theme.

From series 6 onwards, the results show begins with a group performance from the remaining contestants. However, the song is pre-recorded and the contestants mime, due to problems with the number of microphones.

Both these acts perform again in a "final showdown", and the judges vote on which of the two to send home. In the first four series the bottom two contestants reprised their earlier song, but from series 5 they were able to pick new songs.

In series 3, a twist occurred where the act with the fewest votes was automatically eliminated, and the two with the next fewest votes performed in the "final showdown" as normal.

Double eliminations have since occurred occasionally in series 7, 8, 11, 12 and 14 onwards, with series 12, 14 and 15 using them more frequently than usual due to the reduction of live shows from 10 weeks to 7 weeks.

Ties became possible with the introduction of a fourth judge in series 4. In the event of a tie the result goes to deadlock, and the act who came last in the public vote is sent home.

The actual number of votes cast for each act is not revealed, nor even the order; according to a spokesman, "We would never reveal the voting figures during the competition as it could give contestants an unfair advantage and spoil the competition for viewers".

Once the number of contestants has been reduced to four series 1, 3, 7, 8 and 9 or five series 2, 4, 5 and 6 , the act which polled the fewest votes is automatically eliminated from the competition the judges do not have a vote; their only role is to comment on the performances.

From series 10 onwards, the semi-final proceeds with the bottom two in the final showdown for the judges to decide who to send home before the final.

Four occasions in series 7, 10, 13 and 15 during the semi-final saw the judges instead vote to send one of the bottom two through to the final.

In series 1, the eliminated acts also reprised one of their songs in the results show after being voted off.

This has become less common in other series, instead being relegated to results shows with no final showdown. In series 10, the flash vote was introduced: where one contestant is revealed with the fewest flash votes on Saturday's live show, and the contestant with the second lowest votes from the remaining public vote is announced on Sunday's results show and therefore participates in the final showdown with the other contestant.

Despite the flash vote eliminating all possibilities of deadlock, it quickly drew criticism from viewers and was quickly dropped after several weeks.

However, another variation of the flash vote has debuted in series 11 twice as part of a double elimination. In this variation, the act who polled the fewest votes on Saturday's show is automatically eliminated.

The two acts with the next fewest votes on Sunday then perform in the final showdown. This double elimination variation was used once again in series 12 and for the semi-final in series 15; in the latter case two acts were sent home on Saturday before the sing-off took place on Sunday.

A lifeline vote was introduced within the first half of the series 13 live shows, where the bottom three contestants are announced.

Viewers are then given a few minutes to vote to save one of the bottom three, with the winner of the lifeline vote avoiding the final showdown.

As of series 14, the contestants are split into two halves competing on Saturday and Sunday night, respectively, therefore each week is a double elimination.

As the results are announced, the contestant who had the lowest viewer votes on each night is announced and leaves the show immediately; the winning contestant is announced thereafter.

The quarter-final during this series served as the show's first quadruple public vote elimination: the two acts with the fewest votes on each night leaving immediately, with four acts sent home that weekend.

The two winning contestants of both Saturday and Sunday night then compete in a sing-off to win their weekly prize.

Once they have performed their sing-off songs, the lines then reopen and the public votes on which contestant to win the weekly prize.

The semi-final dispensed with the prize fight format in a triple elimination; on Saturday night, all the acts instead sing one song each to remain in the competition before the lines open briefly, then the act with the lowest votes on the night leaves the competition.

The remaining acts then sing one more song on Sunday night for the public vote to go through to the final, the two acts with the lowest votes on the night are therefore sent home as well.

Series 15 has reverted to the usual Sunday elimination format with every live show being a double elimination, albeit mostly with the lines freezing before the results show and the act with the lowest votes eliminated immediately at the beginning of the show before lines reopen briefly.

The first and third live shows avoided this variation of the format; in the latter show, problems that caused sound to be distorted during some of the performances caused the Saturday vote to be cancelled and in the Sunday results show, the performances were rebroadcast without the sound problems before lines reopened in order to give all the acts a fair shot.

The semi-final followed roughly the same format as the series 14 semi-final, albeit with two acts eliminated immediately after the acts' Saturday performances, before the remainder of the acts sing their second song on Sunday to avoid the sing-off.

Following the appointment of singer Minogue as a judge in series 4, the same principle could not universally apply. In fact, when Minogue won series 4 with Leon Jackson , a new outside manager was appointed.

It features an array of finalists from the most recent The X Factor series. From until , Jeff Brazier hosted the tour. Becca Dudley took over the hosting duties from the tour, which sees a revamped format in which the finalists compete to be the winner of each night's tour, with the arena audience voting for the night's winner.

On 22 June, it was confirmed that Friedman had been reassigned the role of creative director and would be replaced on the panel by Walsh.

Speculation surrounded judging line-up changes for series 5 , centering on whether Osbourne would return.

On 6 June , six days before filming for series 5 was due to begin, ITV confirmed that Osbourne had left the show, [50] and a number of other artists and producers were approached regarding her replacement.

On 10 June, Cheryl Cole was confirmed as Osbourne's replacement. Despite rumours that Minogue would leave the show after series 5, [53] [54] all four judges from series 5 returned for series 6.

Due to Minogue's maternity leave during series 7, a series of guest judges filled in for her at the audition stages before she rejoined the panel in September.

In July , Cole was diagnosed with malaria towards the end of the auditions, so Scherzinger returned as a guest judge for bootcamp.

On 5 May , it was announced that Cowell and Cole would not be returning to the judging panel for the eighth series , to concentrate on the American version of the programme.

For this reason I am unable to return. Barlow, [68] [69] Walsh [70] and Tulisa [71] returned for series 9. Rowland left due to other commitments.

On 21 May , ending months of media speculation, Tulisa announced that she would not return as a judge for the 10th series. On 7 February , it was confirmed that Cowell would return as a judge for series Cowell was confirmed to return as a judge for the 12th series.

He also revealed that he was in the dark about whom Cowell had the intentions of bringing onto the panel. To get 10 was great, to get 11 was amazing — I'm not hanging around for them this year.

On 18 February , a series representative announced Grimshaw's departure from the judging panel, confirming: "We are sad to see him go but wish him all the best.

In , Williams and Field announced their departures from the programme. Sharon Osbourne —, , — Nicole Scherzinger —, — The first three series of the show were hosted by Kate Thornton.

On 16 April , ITV confirmed that both Olly Murs and Flack would take over presenting duties, becoming the first duo to host the show.

In a statement, Murs stated, "This was an incredibly hard decision to make and one I didn't take lightly as I've really enjoyed co-hosting The X Factor.

Friedman served as performance coach and choreographer billed as "Creative Director" from series 4—7 and left before series 8 to join the American version.

Brian Burke and Elizabeth Honan replaced him for series 8, although Friedman returned for three weeks in series 9 and Honan did not return.

Friedman returned as creative director in series 11, replacing Reeve and Swanhart. However, Tennant's contract was ended before the live shows and Burnett was reinstated.

Dickson announced his departure from the show on 28 July , [] but announced his return due to "popular demand" on 30 October Dermot O'Leary —, — In each series, each judge is allocated a category to mentor and chooses a small number of acts three or four, depending on the series to progress to the live finals.

From series 1—11 and 13 onwards, these categories were decided by the producers of the show. In series 12 viewers voted via hashtags on Twitter to determine which of the judges is allocated each of the four categories.

Viewing figures of around 10 million were claimed for series 2 and 4, and 11 to 12 million for series 5. Over three million public votes were cast in series 2 and six million in the first part of the final.

The series 3 final attracted 8 million votes [] and a peak of The BBC's rival talent show Strictly Come Dancing initially beat The X Factor in viewing figures in , although The X Factor soon reversed this trend, and when the shows went head-to-head for the first time, [ when?

Since , however, ratings of The X Factor have been in sharp decline. It was overtaken in the rating battle by Strictly Come Dancing during series 8 and has since very rarely managed to beat it, with Strictly Come Dancing extending its lead over the show per year.

The ratings crisis has worsened in the following year with the show recording its lowest ever figures and Strictly Come Dancing now enjoying nearly three times the audience figures of The X Factor in most weeks.

The show won the Entertainment award at the Royal Television Society Awards , described as "Undeniably a brilliant, genre-defining piece of television; the team behind this show never rest on their laurels and are determined to continually raise the bar and set new standards.

Must-see television, which everyone talks about on a Monday morning. The viewing figures for the first seven years of the show featured an upwards trend excluding the third series until it peaked for its seventh series in However since the eight series, viewing figures have declined year on year, with the average audience figure for the ninth series being over 2 million lower than the previous year.

From the outset, The X Factor has attracted heavy criticism. Recurring allegations include: that the excessive commercialism of the show detracts from its supposed purpose of unearthing musical talent and even actively damages and distorts the UK music industry; [] that auditionees at mass auditions are shabbily treated; that controversy is deliberately courted and orchestrated, and supposedly spontaneous scenes are staged and scripted; that problems with phone lines leave members of the public unable to vote for their favourite acts; and that contestants are manipulated and unfairly edited.

Series 1—4 of The X Factor effectively included Irish viewers on an equal footing, and Irish viewers were able to vote in these series via SMS or telephone.

However, in series 5, voting from Republic of Ireland was discontinued, with the decision being blamed on new regulations introduced regarding phone competitions in the UK.

The show held auditions in Dublin and Belfast for the first three series, with Belfast auditions continuing for series 4 before being dropped, though Irish singers could still audition in other cities.

How are you? I'm good? Thank you. It's nice to meet you. What's your name? Please my name is Luis Zara Okay. How old are you? I'm Fairy? What do you do for a living?

I'm a cleaner Are you? Yeah webos. I just cleaned in the local area So why at the age of 30, he said he decided you know what I'm gonna give it a shot.

I think I I did music before years ago I was signed but then I met someone that I gave up music and got married and have kids. Yeah Let.

You a question if you could go back in time now with everything you've learned what would you've done differently than nothing really?

I feel like every path? I've led me to where I am today.

X Factor Favourite Inhaltsverzeichnis

April und dem 3. Kt Sv Enger Westerenger the credit. Wear it as you want is the whole idea of the garment - the freedom to do what you want when you want. If I've made the wrong decision, It's my fault. Es Ukash Gutschein Auszahlen die ungarische Schattentheater -Truppe Attraction. I'm excited and I'm nervous because I only heard this song for the first time Eu Richtlinien Online or six days ago. Platz 2 belegte Ronan Parke. Royal Television Society Awards. April und dem 2.

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