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Medievalist Gaston Paris suggests that Geoffrey chose the form Merlinus rather than the regular Merdinus to avoid a resemblance to the Anglo-Norman word merde from Latin merda for feces.

The name Carmarthen is derived from the town's previous Roman name Moridunum , [6] [11] in turn derived from Celtic Brittonic moridunon , 'sea fortress'.

Geoffrey's composite Merlin is based primarily on the madman, poet and seer Myrddin Wyllt "Myrddin the Wild", sometimes called Merlinus Caledonensis in later sources influenced by Geoffrey , as well as on Emrys Old Welsh : Embreis , a character based in part on the 5th-century historical war leader Ambrosius Aurelianus who was mentioned in one of Geoffrey's primary sources, the early 9th-century Historia Brittonum.

Geoffrey had Myrddin in mind when he wrote his earliest surviving work, the Prophetiae Merlini Prophecies of Merlin , which he claimed were the actual words of the legendary poet and madman.

Geoffrey's Prophetiae do not reveal much about Merlin's background. He included the prophet in his next work, Historia Regum Britanniae , supplementing the characterisation by attributing to him stories about Aurelius Ambrosius, taken from Nennius ' Historia Brittonum.

According to Nennius, Ambrosius was discovered when the British king Vortigern was trying to erect a tower at Dinas Emrys. The tower always collapsed before completion, and his wise men told him that the only solution was to sprinkle the foundation with the blood of a child born without a father.

Ambrosius was rumoured to be such a child but, when brought before the king, he revealed the real reason for the tower's collapse: below the foundation was a lake containing two dragons who fought a battle representing the struggle between the invading Saxons and the native Celtic Britons.

He goes on to add new episodes that tie Merlin with King Arthur and his predecessors. Geoffrey keeps this new figure separate from Aurelius Ambrosius and, with regard to his changing of the original Nennian character, he states that Ambrosius was also called 'Merlin'—that is, Ambrosius Merlinus.

Geoffrey's account of Merlin Ambrosius' early life is based on the tale of Ambrosius in the Historia Brittonum.

He adds his own embellishments to the tale, which he sets in Carmarthen , Wales Welsh: Caerfyrddin. While Nennius' Ambrosius eventually reveals himself to be the son of a Roman consul , Geoffrey's Merlin is begotten on a king's daughter by an incubus demon.

The name of Merlin's mother is not usually stated, but is given as Adhan in the oldest version of the Prose Brut. At this point Geoffrey inserts a long section of Merlin's prophecies, taken from his earlier Prophetiae Merlini.

He tells only two further tales of the character. In the first, Merlin creates Stonehenge as a burial place for Aurelius Ambrosius, bringing the stones from Ireland the stones actually came from the Preseli Hills in south-west Wales.

These episodes appear in many later adaptations of Geoffrey's account. As Lewis Thorpe notes, Merlin disappears from the narrative after this; he does not tutor and advise Arthur as in later versions.

Geoffrey dealt with Merlin again in his third work, Vita Merlini. He based it on stories of the original 6th-century Myrddin, set long after his time frame for the life of Merlin Ambrosius.

Geoffrey tried to assert that the characters are the same with references to King Arthur and his death, as told in the Historia Regum Britanniae.

There, he is often visited by his sister Ganieda based on Myrddin's sister Gwenddydd who has become queen of the Cumbrians and is also endowed with prophetic powers.

Nikolai Tolstoy hypothesizes that Merlin is based on a historical personage, probably a 6th-century druid living in southern Scotland.

His argument is based on the fact that early references to Merlin describe him as possessing characteristics which modern scholarship but not that of the time the sources were written would recognize as druidical—the inference being that those characteristics were not invented by the early chroniclers, but belonged to a real person.

A late version of the Annales Cambriae dubbed the "B-text", written at the end of the 13th century and influenced by Geoffrey, [18] records for the year , that after "the battle of Arfderydd , between the sons of Eliffer and Gwenddolau son of Ceidio; in which battle Gwenddolau fell; Merlin went mad.

Several decades later, Robert de Boron retold and expanded on this material in his influential Old French poem Merlin. Only a few lines of the poem have survived, but a prose version became popular and was later incorporated into Arthurian chivalric romance literature.

In Robert's account, as in Geoffrey's Historia , Merlin was created as a demon spawn, but here explicitly to become the Antichrist who is to reverse the effect of the Harrowing of Hell.

Robert lays great emphasis on Merlin's power to shapeshift , on his joking personality, and on his connection to the Holy Grail , the quest for which he foretells.

Inspired by Wace 's Roman de Brut , an Anglo-Norman adaptation of Geoffrey's Historia , Merlin was originally a part of a cycle of Robert's poems telling the story of the Grail over the centuries.

The narrative of Merlin is largely based on Geoffrey's familiar tale of Vortigern's Tower, Uther's war against the Saxons, and Arthur's conception.

What follows is a new episode of the young Arthur's drawing of the sword from the stone , [22] an event orchestrated by Merlin. He also earlier instructs Uther to establish the original order of the Round Table , after creating the table itself.

The prose version of Robert's poem was then continued in the 13th-century Merlin Continuation or the Suite de Merlin , describing King Arthur's early wars and Merlin's role in them as he predicts and influences the course of battles.

Here, Merlin's shapeshifting powers are also featured prominently. The extended prose rendering became the foundation for the vast Lancelot-Grail cyclical series of Old French prose works also known as the Vulgate Cycle.

All these variants have been adapted and translated into several other languages, and further modified. Notably, the Post-Vulgate Suite along with an earlier version of the Prose Merlin was the main source for the opening part of Thomas Malory 's English-language compilation work Le Morte d'Arthur that formed a now-iconic version of the legend.

Compared to his French sources, Malory limited the extent of the negative association of Merlin and his powers, relatively rarely being condemned as demonic by other characters such as King Lot.

Later medieval works also deal with the Merlin legend, including through unusual stories such as Le Roman de Silence.

Through his ability to change his shape, he may appear as a "wild man" figure evoking that of his prototype Myrddin Wyllt, [29] as a civilized man of any age, or even as a talking animal.

In the Vulgate Cycle's version of Merlin , his acts include arranging consummation of Arthur's desire for "the most beautiful maiden ever born," Lady Lisanor of Cardigan, resulting in the birth of Arthur's illegitimate son Lohot from before the marriage to Guinevere.

Eventually, long after Merlin is gone, his advice to dispose of the baby Mordred through an event evoking the Biblical Massacre of the Innocents leads leads to the deaths of many, among them Arthur.

The earliest English verse romance concerning Merlin is Of Arthour and of Merlin , which drew from the chronicles and the Vulgate Cycle.

In English-language medieval texts that conflate Britain with the Kingdom of England , the Anglo-Saxon enemies against whom Merlin aids first Uther and then Arthur tend to be replaced by the Saracens [33] or simply just invading pagans.

Meanwhile, some of the many Welsh works predicting the Celtic revenge and victory over the Saxons have been reinterpreted as Merlin's Myrddin's prophecies, later used by propaganda of the Welsh-descent king Henry VIII of England.

Ulrich Füetrer 's 15th-century Buch der Abenteuer presents Merlin as Uter's father, effectively making his grandson Arthur a part-devil too.

In chivalric romance tradition, Merlin has a major weakness that eventually leads him to his doom: young beautiful women of femme fatale archetype.

Contrary to the many modern works in which they are archenemies, Merlin and Morgan are never opposed to each other in any medieval tradition, other than Morgan forcibly rejecting him in some texts; in fact, his love for Morgan is so great that he even lies to the king in order to save her in the Huth Merlin , which is the only instance of him ever intentionally misleading Arthur.

There are many different versions of their story. Common themes in most of them include Merlin usually having the prior prophetic knowledge of her plot against him one exception is the Spanish Post-Vulgate Baladro where his ability is dampened by lust [39] , but lacking either ability or will to counteract it in any way, along with her usually using one of his own spells against him.

Niniane, as the Lady is known in the Livre d'Artus continuation of Merlin , breaks his heart prior to his later second relationship with Morgan, but here the text actually does not tell how exactly Merlin did vanish, other than relating his farewell to Blaise.

In the Post-Vulgate Suite , the young King Bagdemagus manages to find the rock under which Merlin is entombed alive by Niviene; he communicates with Merlin, but cannot lift it.

What follows next is supposedly narrated in the mysterious text Conte del Brait Tale of the Cry. Carmarthen is also associated with Merlin more generally, including through the 13th-century manuscript known as the Black Book of Carmarthen and the local lore of Merlin's Oak.

The 15th-century Scotichronicon tells that Merlin himself underwent a triple-death , at the hands of some shepherds of the under-king Meldred : stoned and beaten by the shepherds, he falls over a cliff and is impaled on a stake, his head falls forward into the water, and he drowns.

The subject of Merlin has continued to be popular through the Renaissance and afterwards, especially since the renewed interest in the legend of Arthur in modern times.

As noted by Arthurian scholar Alan Lupack, "numerous novels, poems and plays center around Merlin. In American literature and popular culture , Merlin is perhaps the most frequently portrayed Arthurian character.

From Wikipedia, the free encyclopedia. For the bird species, see Merlin bird. For other uses, see Merlin disambiguation. For other uses, see Merlyn disambiguation.

Legendary British figure. See also: Historicity of King Arthur. Merlin in a medieval manuscript of a compilation of texts of astronomy by Alfonso the Wise c.

Main article: Fiction featuring Merlin. Though usually a figure who supports Arthur and his vision of Camelot , Merlin is, because of the stories in which he is said to be the son of a devil, sometimes presented as a villain.

He is later found in the forest of Northumberland by a follower of Uther disguised as an ugly man and tending a great herd of beasts. He then appears first as a handsome man and then as a beautiful boy.

Years later, he approaches Arthur disguised as a peasant wearing leather boots, a wool coat, a hood, and a belt of knotted sheepskin.

He is described as tall, black and bristly, and as seeming cruel and fierce. Finally, he appears as an old man with a long beard, short and hunchbacked, in an old torn woolen coat, who carries a club and drives a multitude of beasts before him.

He bursts into the presence of Julius Caesar here Arthur's contemporary and tells the emperor that only the wild man of the woods can interpret the dream that has been troubling him.

Later, he returns in the form of a black, shaggy man, barefoot, with a torn coat. In another episode, he decides to do something that will be spoken of forever.

He is large, bent, black, lean, hairy and old, and his ears hang down to his waist. His head is as big as a buffalo's, his hair is down to his waist, he has a hump on his back, his feet and hands are backwards, he is hideous, and is over 18 feet tall.

By his arts, he calls a herd of deer to come and graze around him. Or Morgue may appear as an ambitious and unscrupulous bitch ready to seduce an old tottering Merlin in order to gain the wisdom he alone can dispense.

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